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Trevor stopped by the kitchen table for this truly inspiring episode of IAH. Trevor’s gift to the world is his song but what transpires through his music, being and soul is so much more. Like so many of the great artists who came before him, Trevor is thoughtful, smart, intuitive, aware and you get the feeling when talking to him that he’s seeing the world in the way that others are not. Our conversation ranged from his early days and upbringing, spirituality in life and music, why love really does heal all wounds and the quest to constantly explore and be a seeker. I’m somewhat of a late convert to Trevor’s music and am so grateful that I get to discover this well of brilliance at this point in life.
INTRO RANT – When did anti-intellcualism and the celebration of ignorance become the norm?
As an eleven year old, playing harmonica beside his father in South Carolina, music quickly became Trevor’s most intimate companion, guide and creative outlet. In his elementary years, he began to write his own songs and perform them locally. At sixteen he recorded his first record, and the following year he left South Carolina to study classical guitar at Idyllwild Arts Academy, an international boarding school east of Los Angeles. There, Trevor was introduced to yoga and certain spiritual practices found in India, which greatly influenced his music and his life journey. During his senior year, Trevor signed a record deal with Geffen Records and his career as a musician formally began.
Trevor quickly broke through the music scene, with such early accomplishments in his career as having a song recorded on the Shrek the Third soundtrack, as well as joining a series of sold-out tours with artists such as Steel Pulse, The Wailers, Jimmy Cliff, Matisyahu, Michael Franti, SOJA, Brett Dennen and Colbie Callait. Trevor’s quick rise on the scene, however, was ripe with challenges that conflicted with his spiritual life and devotional practice. In order to parallel his life’s path with the messages in his music, Trevor moved into a traditional Hindu ashram in Southern California in 2008. When not on tour, he lived as a monk and devoted his days to spiritual practice and service. His involvement with the temple affected his music and his music quickly became his practice.